‘The cast and orchestra under Britten’s inspired and inspiring direction certainly give of their best. Jennifer Vyvyan and Peter Pears took part in the L’Oiseau-Lyre recording of the s under Anthony Lewis, and now as then are perfect Purcell stylists.’ - Opera, April (The Fairy Queen). ⇒ 12 more: Jig • Sing While We Trip It Upon the Green • One Charming Night • Hush, No More • If Love's a Sweet Passion • Dance for the Fairies • When I Have Often Heard Young Maids • A Thousand Ways We'll Find • Next, Winter Comes Slowly • Thus Happy and Free • Chaconne • Composer: Purcell, Henry. Jul 17, · The Fairy Queen: a musical guide. Purcell's The Fairy Queen is usually described as " a semi-opera," an awkward term coined retrospectively to categorise the most prevalent genre of Restoration music theatre, of which it is, in the opinion of many, the greatest example. Operas, as far as Purcell and his contemporaries were concerned, Author: Tim Ashley.
Purcells the fairy queen s
Reviews at the time recognised the special value of this first Fairy Queen: most of all for the many delights to be savoured in Purcell’s score, but also for the lively conducting of Lewis, the crisp playing of the Boyd Neel Orchestra and the sure and graceful contributions of the soloists. As an opera composer, Henry Purcell is best known for a single piece: the drama Dido and Aeneas, which dates from around the s -- and strictly speaking, it's the only opera Purcell ever wrote. In 17th-century England, musical theater in which all the dialogue is sung -- that is, opera -- . PURCELL THE FAIRY QUEEN. PURCELL. THE FAIRY QUEEN. Purcell’s exquisite music—vivid and colorful with ingenious dramatic effects and an entertaining script by Jeremy Sams (creator of the Metropolitan Opera’s The Enchanted Island)—make for a fresh-and-fun riff on A Midsummer Night’s Dream, as seen through Queen Titania’s eyes. The Fairy Queen Act I Come, come, come, let us leave the Town And in some lonely place, Where Crouds and Noise were never known, Resolve to spend our days. In pleasant Shades upon the Grass At Night our selves we'll lay; Our Days in harmless Sport shall pass, Thus Time shall slide away. Jul 17, · The Fairy Queen: a musical guide. Purcell's The Fairy Queen is usually described as " a semi-opera," an awkward term coined retrospectively to categorise the most prevalent genre of Restoration music theatre, of which it is, in the opinion of many, the greatest example. Operas, as far as Purcell and his contemporaries were concerned, Author: Tim Ashley.This is the Overture to the fourth act, from "The Fairy Queen" a semi opera by Henry Purcell. The Fairy-Queen was first performed on 2 May. Purcell did not set Shakespeare's text; he provided music for the additional scenes The original production of The Fairy Queen was elaborately staged, costing. The Fairy-Queen (; Purcell catalogue number Z) is a masque or semi- opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous. composition details, parts / movement information and albums that contain performances of The Fairy Queen, semi-opera, Z. on AllMusic. Henry Purcell. Copyright. Creative Commons Attribution Non-commercial Share Alike [tag/ del]. Misc. Notes, These file(s) are part of the Werner Icking Music Collection.
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Henry Purcell: The Fairy Queen, time: 27:55
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